An incessantly ringing cell phone in a quiet café. A stranger at the next table who has had enough. And a dead man—with a lot of loose ends. So begins Dead Man’s Cell Phone, a wildly imaginative comedy by MacArthur “Genius” Grant recipient and Pulitzer Prize finalist, Sarah Ruhl, author of The Clean House and Eurydice. A work about how we memorialize the dead—and how that remembering changes us—it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world.
Directed by Maureen Hennigan